![]() An additional mid-game racket that services the white aristocracy rather than white poor, involves sex, but in a combination of (consensual?) prostitution, sex work, and orgy parties. This is not the only racket in the game that features human trafficking. ![]() Sexuality: The first main quest in the game concerns sabotaging a racket that traffics black prostitutes and sex slaves as a simulation of antebellum-era exploitation of black women’s bodies by white men. ![]() Specifically, antagonists persist in their disbelief at Lincoln’s aptitude, often muttering “He’s just a n***er” in dejection and defeat.” Again for context, this game is set during a time where one can listen to a live reporting of Martin Luther King Jr’s assassination. The Lord’s name is frequently taken in vain.īecause of its topical focus, Mafia III also features liberal usage of racial slurs for people of African, Irish, Italian,and Hispanic descent. Random NPCs discuss topics ranging from a pastor blessing a woman’s undergarments so that she can conceive children, to…well, the kind of expletives related to genitalia that one would hear while passing through a house of ill-repute. Language/Crude Humor: This is a video game about gangsters, so expect the full gamut of language of the four-letter variety, with the F-bomb serving as the single most popular word utilized. To emphasize the brutality, these animations are accompanied by music similar to that which plays during a character death in a horror movie. Taking a cue from Rambo, protagonist Lincoln Clay is a Vietnam veteran who sports a knife that could be mistaken for a sword when he uses it during a stealth kill, enemies choke and gurgle on their blood as this mini-machete invades the windpipe. Though this game is viscera-free, the stealth kills are particularly macabre. Two cutscenes depict light interrogative torture. Descriptions of people suffering from gruesome deaths are common. ![]() Violence: As is customary in M-rated games, blood in Mafia III is routine. ![]()
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